Eats Everything

Few producers in the history of dance music have made such a rapid and far-reaching impact on the electronic music scene as Eats Everything aka Bristolian Daniel Pearce. In a matter of months he has defined a whole new genre of forward-thinking underground house music that draws elements from classic house, UK bass music, Detroit techno, jungle and early rave, paying homage to everything from Randy Crawford to Ray Charles and Murk to MK.

This omnivorous beat-maker Eats Everything is at the forefront of an emerging wave of talented producers to come out of the West Country’s bass epicentre Bristol, helping define an entirely new genre of forward-thinking underground music.
Eats Everything aka Daniel Pearce journey began in 2011 with the fittingly titled debut ‘Entrance Song’ on Catz N Dogz’ ‘Pets’ imprint, which was championed by the likes of Seth Troxler, Carl Cox, and Jamie Jones. Dan’s next two bass-laden jams, ‘The Size’ and ‘Tric Trac’ were picked up by Claude Von Stroke for his flagship Dirtybird label and the rest, as they say, is history.

Now gobbling his way across club land with the momentum of a runaway freight train, the last eighteen months have seen Dan heaped with a plethora of accolades. In 2011 he won DJ Magazine’s ‘Best Breakthrough Producer’, which was followed a year later by winning ‘Best British DJ’ in their ‘Best of British Awards. In December 2012 he was the highest new entry in Resident Advisor’s much respected ‘Top 100 DJs’ poll coming in at unprecedented number thirteen and in the same month became the only DJ ever to do two BBC Radio 1 Essential Mixes within the space of a year. Releases like ‘Jagged Edge’ and ‘Vertigo’ have attained underground dancefloor anthem status being hammered by everyone from Jamie Jones and Seth Troxler to Skream and Redlight, making Dan one of the most universally championed and respected across all genres of dance music.

Dan has also released remixes for a broad selection of labels, adding his Midas touch to the likes of Adam F, Jamie Jones, Totally Enormous Extinct Dinosaurs, Chicken Lips, X-Press 2 and Four Tet. His blinding ‘Reruff’ of Justin Martin’s ‘Ruff Stuff’ was one of the biggest tunes of the last six months. When it comes to solo productions, however, he limits himself to a select few labels, such as Dirtybird, Pets, Hypercolour and Futureboogie.