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Mat Zo

Name: Matan Zohar

Date of Birth: April 30, 1990

Country: England, United Kingdom

Age: 33 years.

Music Genres: Progressive house, Trance,

Website: http://www.matzomusic.com/unlock-damage-control/

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Artist Ranking 2024

  • Gem2i 160

Description

Mat Zo is part of a new breed of precocious, unrestricted DJ/producers that are making big noises without the one-dimensional genre blinkers of old.
​In the last 12 months alone, the London based producer has seen his boundary-blurring productions like “Bipolar” and his latest missive – the big room melodic funk anthem “Easy” with partner in crime Porter Robinson – dominate the Beatport charts. DJs as varied as Skrillex, the Swedish House Mafia, Tiesto and Above & Beyond hammer them at the biggest events on the planets, while Zo himself spends his time zig-zagging across the planet – rocking the crowds at events like Electric Zoo in New York, Audiotistic in LA, Creamfields Australia and London’s SW4.

Laid back but full of creative fire, he’s still the music obsessed joker that his mates have always known – but somehow seems like an elder statesman at the same time. As a prodigious teenager, he took both the drum & bass (he records for Hospital as MRSA) and trance scenes by storm. Now armed with a discography of hits that would put some of the longest standing producers to shame, he has gone on to remix pop princess Kylie and become a leading light in both the drum & bass and trance scenes – occasionally topping the Beatport charts in both genres at the same time.

Renowned as an artist in the truest sense of the word, the prodigious producer has also added his unique remix touch to the likes of Empire Of The Sun, Chromeo and even the Lion King's iconic "Circle Of Life" for Disney, as well as contributing a soundtrack composition to forthcoming film Our Robot Overlords (starring Ben Kingsley and Gillian Anderson). Now a label owner himself, Mat's experimental Mad Zoo record label is again going against the status quo - promising to explore both new sounds and new models for music consumption.

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